![]() You can choose to keep this comp live and editable, or render the audio (or MIDI) and commit. ![]() Simply drawing in the desired sections of your takes across the many lanes of recordings will create a non-destructive comp in your main lane. ![]() Live 11 rectifies this situation, allowing comping of MIDI and Audio recordings, and it works exceptionally well. Then you can draw to let different portions of each ‘take’ become one new idea in the Main Lane. Take Lanes for compiling can be used creatively to host different audio files. Comping (or compiling) is virtually essential when recording multiple takes of a performance, and it’s a feature that has been available in almost all the other DAWs for years. However, as Live has added practical features over the years to make it more competitive against traditional DAWs, its Achilles heel has long been a lack of comping tools. Despite Live’s DNA in performance, one of its great strengths is the number of use cases it serves, making it the production software of choice for a wide variety of audio professionals.
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